MrMild (he’s our Northern Correspondent) was chewing the fat with the Typemaniac over some old tech, like vertical studio cameras (the Agfa camera sucked big time but it was cheap so everyone bought it). . . . Now where was I? Oh, yeah. MrMild and I were talking about making veloxes using bump and flash exposures. MrMild then located this fine web page by Wendy Mukluk that covers all of that fine old tech. Read and enjoy!
The Official U.S. Highway Sign Font Is Changing From Clearview to Highway Gothic
The U.S. Federal Highway Administration approved the use of the Clearview font for highway signage back in 2004, because testing showed that it contributed to increased readability. The approval has now been rescinded, so future signage will be in good old Highway Gothic. According to the FHWA, the legibility claims for Clearview have been disproven, though the agency has yet to reveal any scientific basis for their change.
Source: The Official U.S. Highway Sign Font Is Changing From Clearview to Highway Gothic – CityLab
More background at the New York Times: The Road to Clarity
Thanks to one of our Typographic Irregulars, MrMild.
Nile Peterson on Flickr
Nile Peterson has put together an astonishingly beautiful collection of typography samples and covers of typography specimen books. How did I come across this? I was searching for the Franklin Photolettering Film Alphabet Compendium.
This just in from our West Coast correspondent
Famous logos redrawn in Comic Sans
Funky swash font
I spotted this pretty thing in the West Side Spirit, a community newspaper. The font is Thirsty Script Black by Ryan Martinson of Yellow Design Studio. The MyFonts website describes it as having a new look with a vintage vibe. At $20, it’s a bargain.
Similar fonts include Nexa Script Heavy (Ani Petrova) and Sant’Elia Script Black (Ryan Martinson).
Love them unicase fonts
This is from the “Make Do With What You Got” album by Solomon Burke. I didn’t recognize the font, so I asked at the WhatTheFont forum. Akira1975 identified the font as House Gothic 23 Condensed Bold 4.
Inquiring minds want to know — Calibri
This arrived recently from our buddy, J.R. Wilheim:
“A few years back, MS Word changed the default font from Times New Roman to Calibri. At the time I was baffled by it, but as it wasn’t too hard to switch into Times New Roman (and as I eventually figured out how to switch the default font myself in Office) I didn’t pay it much mind. I got into a discussion recently with someone about changes to Office and as a result decided to look up exactly why this change was made. Apparently, at the time Office 2007 was released, there was a widespread (and, as it turns out, correct) belief that more and more document production would not involve paper, and that Calibri was easier to read on screens that Times New Roman. As someone in web graphic design, do you think there’s any merit to this? I can’t see why paper v. online would have any effect on how readable a font is, but you obviously know a lot more about it than I do.”
The Typemaniac answered:
Short answer:
Typical resolution of a home printer is ~200 dots per inch
Typical resolution of a computer screen is ~96 pixels per inch
At small sizes, a font optimized for print won’t look too good on screen and vice-versa.
Meet The Obscure Exclamation Comma: Because Excitement Can Happen In The Middle Of A Sentence
World, meet the exclamation comma — the punctuation mark you didn’t know existed, but that you almost certainly need in your life.
Source: Meet The Obscure Exclamation Comma: Because Excitement Can Happen In The Middle Of A Sentence
Foundry: Elfring Fonts
While talking to Howard Sobel today, he mentioned Gary Elfring, who’s been turning out fonts for many years. Gary’s specialties include bar code, scanning, and MICR fonts; he also will produce custom fonts for you. Take a look at the Elfring Fonts website.